The Godfather (novel)
The
Godfather is a crime
novel by American author Mario
Puzo. Originally published in 1969 by G. P. Putnam's Sons,
the novel details the story of a fictional Mafia family in New
York City (and Long Beach, New York), headed by Vito
Corleone. Puzo's dedication
for The Godfather is "For Anthony Cleri". The epigraph
for The Godfather is "Behind every great fortune there is a
crime. - Balzac."
The novel covers the years 1945 to 1955 and provides the back story of Vito
Corleone from early childhood to adulthood.
The
first in a series of novels, The Godfather is noteworthy for introducing Italian
words like consigliere,
caporegime, Cosa Nostra,
and omertà to an English-speaking audience. It inspired a 1972
film of the same name. Two film sequels, including new
contributions by Puzo himself, were made in 1974
and 1990.
The first two films are widely held in high esteem as examples of the cinematic
arts.[1][2]
Summary
The
Corleone family
fights a mob war with the Five Families of the New
York Mafia in the years after World
War II. After Don Vito Corleone is shot by
men working for drug dealer Virgil "The Turk" Sollozzo, Corleone's
two sons, Santino ("Sonny") and Michael, must run the family business
with the help of consigliere
Tom Hagen and the two caporegimes
Clemenza and Tessio. When Michael murders Sollozzo and Captain McCluskey, a
police officer on the drug lord's payroll, the conflict escalates into a
full-scale war which results in Sonny's murder and Michael's promotion to the
head of the family. Under his retired father's tutelage, Michael orchestrates a plan to relocate
the Corleone family's power base to Las
Vegas. This culminates in the murder of
all of the family's enemies, including his brother-in-law Carlo Rizzi, who
played a part in Sonny's murder. Michael then sells the family's businesses in
New York and moves the family to Las Vegas.
Main characters
The
Corleone family patriarch is Vito
Corleone (The Don), whose surname (Italian for "Lionheart") recalls the town of Corleone, Sicily.
His birth name is Vittorio Andolini, but after emigrating to America, he changed it to the name of his home village as one of
his few acts of sentimentality. Vito fathered four children: Santino
"Sonny" Corleone, Frederico
"Fredo" Corleone, Michael
"Mike" Corleone, and Constanzia
"Connie" Corleone. He also
has an informally adopted son, Thomas
"Tom" Hagen, who became the Corleone Family's consigliere (counselor). Vito Corleone is also godfather to the famous singer and movie star Johnny
Fontane. The godfather referred to in the
title is generally taken to be Vito. However, the story's main character is
Michael Corleone. The novel's central storyline details Michael's destiny to
succeed his father as the head of the family empire, despite his desire to lead
an Americanized life
with his girlfriend (and eventual wife) Kay Adams.
The
Corleone family is a criminal organization with national influence, notably protection, gambling
and union
racketeering. Serving as the Don's underboss is his oldest son, Santino. The operational side of the
organization is headed by two caporegimes, Peter
"Pete" Clemenza and Salvatore
Tessio. Other significant members of the
organization include enforcers Luca Brasi and Albert Neri and upcoming soldier
Rocco Lampone.
Reception
The
novel remained on The New York Times
Best Seller list for 67 weeks and sold over nine
million copies in two years.[3]
Film adaptation
Main article: The
Godfather
The
1972 film adaptation of the novel was released with Marlon
Brando as Don Vito Corleone and Al
Pacino as Michael Corleone, directed by Francis Ford Coppola. Mario Puzo assisted with both the writings of the
screenplay and other production tasks. The film grossed approximately $269
million worldwide and won various awards, including three Academy
Awards, five Golden
Globes and one Grammy. The film is considered to be tremendously significant in
cinematic history. The sequel, The Godfather Part II won six Oscars, and became the first sequel to win the Academy Award for
Best Picture.
The
film's plot follows the novel except for such details as backstories of some
characters that are excluded, although they were filmed. Some of this footage
was included in later re-edited versions such as, "The Godfather
Saga." The subplot involving Johnny Fontane in Hollywood was not filmed. The most significant deviation of the film
from the novel was that the latter had a more positive ending than the film in
which Kay Corleone accepts Michael's decision to take over his father's
business. The film ends with Kay's realization of Michael's callousness, a
theme that would develop in the second
and third
films, which are largely not based on the original novel. Vito Corleone's
backstory appeared in the second film, with his character portrayed by Robert
De Niro.
Video game adaptation of the film
Main article: The Godfather (2006
video game)
The
video game company Electronic
Arts released a video
game adaptation of The Godfather
film on March 21, 2006. The player assumes the role of a "soldier" in
the family. Prior to his death, Marlon
Brando provided some voice
work for Vito, which was eventually deemed unusable and was dubbed over
by a Brando impersonator. Francis Ford Coppola said in April 2005 that he was not informed of Paramount's
decision to allow the game to be made and he did not approve of it.[4] Al Pacino
declined to participate, and his likeness was replaced with a different
depiction of Michael Corleone.
Sequels
In
1984, Puzo's literary sequel to The
Godfather was published. Titled The
Sicilian, it chronicles the life of
"Giuliano" (Salvatore Giuliano)
but the Corleone family is featured heavily throughout, Michael
Corleone in particular. Chronologically this
story sits between Michael's exile to Sicily in 1950 and his return to the United States. For copyright
reasons, the Corleone family involvement was cut from the Michael
Cimino film adaptation,
which is not considered part of the Godfather
film series.
In
2004, Random House
published a sequel to Puzo's The Godfather, The Godfather Returns, by Mark
Winegardner. A further sequel by Winegardner, The Godfather's Revenge, was released in 2006. These novels continue the story from
Puzo's novel.
The
Godfather Returns picks up the story immediately
after the end of Puzo's The Godfather. It covers the years 1955 to 1962,
as well as providing significant backstory for Michael Corleone's character
prior to the events of the first novel. The events of the film The Godfather Part II all take place within the timeframe of this novel, but are
only mentioned in the background. The novel contains an appendix that attempts
to correlate the events of the novels with the events of the films.
The
Godfather's Revenge covers the years 1963 to 1964.
Continuing
Puzo's habit, as seen in The Godfather, of featuring characters who are
close analogs of real-life events and public figures (as Johnny Fontane is an
analog of Frank Sinatra),
Winegardner features in his two Godfather novels analogs of Joseph,
John,
and Robert F. Kennedy,
as well as alleged organized crime figure Carlos
Marcello (Carlo Tramonti). In The Godfather Returns, Winegardner also dramatizes the sweep
of organized crime arrests that took
place in Apalachin, New York,
in 1957.
Winegardner
uses all of the characters from the Puzo novels and created a few of his own,
most notably Nick Geraci, a Corleone soldier who plays a pivotal role in the sequel novels. Winegardner
further develops characters from the original novel, such as Fredo
Corleone, Tom
Hagen, and Johnny Fontane.
In
2012, a prequel based on an unproduced screenplay by Mario Puzo titled The Family Corleone, was written by Ed
Falco. It tells the story of how Vito
Corleone rises to Don and how Sonny
Corleone and Tom
Hagen enter the family business.
Literary reference
The
Corleone family closely resembles the Karamazov family in The Brothers Karamazov: a powerful father, an impulsive oldest son, a
philosophical son, a sweet-tempered son, and an adopted stepson who is
maintained as an employee. Honoré de Balzac's
novel Le Père Goriot
(1835) has been the inspiration for notable lines that have gained wide
popularity in cinema history. Similarly, Puzo opened his 1969 novel with an
epigraph popularly attributed to Balzac: "Behind every great fortune there
is a crime." The saying is most likely evolved over time from Balzac's
original text: "The secret of a great success for which you are at a loss
to account is a crime that has never been found out because it was properly
executed."[5]
"I'm
gonna make him an offer he can't refuse" was included in both the original
Puzo novel and in the film
adaptation. It is the second-ranking cinematic
quote included in AFI's 100
Years...100 Movie Quotes (2005) by
the American Film Institute. Its origin may be from the same work to which Balzac is
credited with the opening epigraph. Balzac wrote of Vautrin telling Eugene: "In that case, I will make you an
offer that no one would decline."[6]
Real-life influences
Large
parts of the novel are based upon reality, notably the history of the so-called
"Five Families",
the Mafia
organization in New York and the surrounding area. The novel also includes many
allusions to real-life mobsters and their associates. For example, Johnny
Fontane is based on Frank Sinatra,[7][8] and Moe
Greene on Bugsy
Siegel.[9][10] In addition, the character of Vito Corleone was a composite
of real-life organized crime bosses Frank
Costello and Carlo
Gambino.[11]
Notes and references
· "Top
Movies - Best Movies at Rotten Tomatoes". Rottentomatoes.com.
Retrieved 2011-08-10.
· · ""The
Godfather" Turns 40".
CBS News. CBS Interactive Inc. March 15, 2012. Archived from the original on July 17, 2014. Retrieved July 15,
2014.
· · Godfather film
director whacks Godfather game
- by Tor Thorsen, GameSpot,
April 8, 2005, Retrieved April 8, 2005.
·
Quote Investigator: Comédie Humaine by Honoré de Balzac, Edited by George
Saintsbury, Old Goriot (Le Père Goriot) (1896), Translated by Ellen Marriage,
Quote Page 124, J. M. Dent and Co., London and New York. "Le secret des
grandes fortunes sans cause apparente est un crime oublié, parce qu’il an été
proprement fait. 1834, Revue de Paris, Volume 12, Le Père Goriot by Honoré de
Balzac, Seconde Partie: L’entrée dans le monde, Start Page 237, Quote Page 258,
Au Bureau De La Revue De Paris, Paris, France. (Google Books full view); http://www.e-corpus.org/notices/150840/gallery/1947340/fulltext; viewed 10-2-2014.
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