Gone Girl (novel)
Gone
Girl is a thriller
novel in the mystery and crime genres, by the American writer Gillian
Flynn. It was published by Crown Publishing Group in June 2012. The novel became quite popular and soon made
the New York Times
Best Seller list. The sense of suspense in the novel
comes from whether or not Nick Dunne is involved in the disappearance of his
wife Amy.
In
several interviews, Flynn has said that she was inspired to write the novel by
the disappearance of Californian Laci
Peterson in late 2002. Portraying her
principal characters as out-of-work writers, she made use of her own experience
being laid off from her job as a writer for Entertainment Weekly.
Critics
in the United States positively received and reviewed the novel. Reviewers
praised the novel's use of unreliable narration, plot twists,
and suspense.
A
film adaptation
was released on October 3, 2014, directed by David
Fincher, but written by Flynn herself, with
Ben
Affleck and Rosamund
Pike starring in lead roles. The film was
met with both commercial success and widespread critical acclaim.
Plot summary
The
first part of the novel centers on Nick Dunne and his wife Amy's marriage. Its
point of view alternates between that of Nick and Amy, whose perspectives on
their marriage are very different. For example, Nick describes the couple's
relationship in the present day, while Amy's diary entries depict their
relationship in the past. Amy's diary portrays Nick as an aggressive, moody,
idle, and threatening husband, while Nick describes Amy as someone who is
needlessly difficult, anti-social, stubborn, and an irrational perfectionist.
When
Nick and Amy both lose their jobs in New
York City, they relocate to Nick's hometown
in North Carthage, Missouri,
to help take care of Nick's sick mother. This causes their marriage to take a
turn: Amy loved their life in New York, hates living in the Midwest, and soon
begins to resent Nick for making her move to his hometown.
On
their wedding anniversary, Amy disappears without a trace, and Nick eventually
becomes a suspect in her disappearance. Among other reasons, his lack of
emotion about Amy's disappearance and the discovery that Amy was pregnant when
she went missing lead both the police and the public to believe that Nick may
have murdered his wife.
In
the second half of the book, the reader learns that the main characters are unreliable narrators and that the reader is not being given all of the
information. Nick is revealed to have been cheating on his wife, and Amy is
revealed to be alive and in hiding and trying to frame Nick for her "death" as revenge for his perceived
wrongs against her. Her pregnancy and her diary entries are revealed to be
fake; Amy fabricated them in order to incriminate Nick further. However, her
plan is foiled when she is robbed at the motel she is hiding in. Desperate, she
seeks help from her ex-boyfriend Desi Collings, who agrees to hide her in his
lake house but soon becomes possessive, causing Amy to feel trapped.
Meanwhile,
Nick has discovered that Amy is framing him for her murder based on the items
she bought using credit cards in his name and hid in his sister Margo's
woodshed, along with her anniversary gift of Punch
and Judy puppets, one of which is missing a
handle. However, since the clues she left for him on their anniversary treasure
hunt are so vague, and based on their inside jokes that no one else would get,
he has no way of proving it.
Together,
he and his lawyer work to change the public's perception of Nick. He is granted
an interview with a popular talk show host, during which Nick pretends to be
apologetic for his infidelity and appeals to Amy to come back. It goes well with
the public, but unfortunately, the police have discovered the items in the
woodshed that Nick swore he did not buy: boxes of demeaning and violent porn
videos, and Amy's diary. A few weeks later, they bring out the missing handle
from the Punch and Judy puppets that had been soaked in Amy's blood and
discovered in the river and arrest Nick.
At
Desi's lake house, Amy sees the TV interview and is convinced that Nick really
does want her back. She murders Desi after seducing him and returns to her
husband, who is out on bond. Upon her return, she fabricates a story that she
had been kidnapped and imprisoned by Desi. Although Nick knows she is lying, he
has no proof and is forced to return to married life with Amy as the media
storm dies down.
Though
forced to remain with his wife, Nick soon begins writing a memoir detailing
Amy's crimes and deceptions. Aware of Nick's intentions to expose her lies, Amy
uses Nick's semen they had saved at a fertility clinic to make herself
pregnant. She then forces him to delete his book by threatening to keep him
from their unborn child. In the end, Nick deletes his memoir and chooses to
stay with Amy for his child's sake.[1]
Characters
- Nick Dunne: Raised in a working-class household with a misogynistic father who later suffered from Alzheimer's, a mother who later developed cancer, and a twin sister with whom he is close. Nick grew up as the golden child of the family and held several jobs throughout his adolescence. He worked as a journalist in New York City until he was laid off.He returned to his hometown with his wife Amy, where he was weighed down by his mother’s cancer and father’s dementia. Amy’s parents give him money to open “The Bar” with his twin sister Go. He begins to fall out of love with Amy and has an affair with one of his students, Andie. When Amy finds out about his affair, she retaliates by concocting a plan to frame Nick for her kidnapping. Nick eventually realizes her plan and manipulated her into coming home by saying what he knew she wanted to hear during television interviews. When Amy returns, Nick tried to convince her to divorce him, but she refuses. He ultimately stays with her because she inseminates herself with his sperm and he knows he will never be free of her. He doesn’t want his child to grow up hating him, or to give Amy the opportunity to falsely accuse him of abuse. [1]
- Amy Elliott Dunne: The title character. She is very beautiful but proves to be a clever and sinister psychopath who is always three steps ahead of her enemies. She is the source of inspiration for her parents' "Amazing Amy" book series. She made a living in New York as a writer for personality quizzes and met Nick at a writers' party; they marry after two years of dating, and the marriage starts out great until they both get laid off, her parents ask for financial help, and she and Nick move to North Carthage, Missouri, after no longer being able to afford living in New York City. After that, she becomes very resentful toward Nick as he grows increasingly distant and depressed with the stress of his mother’s death and father’s dementia. Upon realizing that he was cheating on her, Amy spends a year developing a complex plan to frame her husband for her own murder. By utilizing her calculating intelligence and charm, she eventually returns and manages to convince the public that she was kidnapped and raped by an old boyfriend. Nick, Boney, and Go are all convinced of her guilt, but they are unable to prove it. Amy ultimately blackmails Nick into staying with her by inseminating herself with his sperm. He realizes that he now can never be free of her, and if he leaves his child would grow to hate him under Amy’s manipulations. [1]
- Jim Gilpin: A detective who participated in Nick's investigation. He is described by Nick as having "fleshy bags under his eyes" and "scraggly white whiskers in his mustache."[1]
- Rhonda Boney: A detective who participated in Nick's investigation. She has a younger brother whom she "dotes on," and is the mother of a teenaged daughter, Mia.[1] She is described by Nick as "ugly," although he says he has an "affinity" for "ugly women." She does not want to believe Nick is really guilty despite the seeming evidence piling on the case and gives him the benefit of the doubt until things really take a turn for the worse. When Amy returns, Nick tells Boney about Amy’s confession but nobody is able to find enough evidence against her. [1]
- Tanner Bolt: Nick's lawyer, a defense attorney who specializes in defending husbands accused of murdering their spouses.[1]
- Andie Hardy: A woman in her early 20s with whom Nick cheats on Amy. Andie met Nick as a student in his magazine-writing class, and their affair began 15 months before Amy's disappearance. She appears genuinely in love with Nick and becomes very resentful when he abandons her due to Amy’s disappearance. Andie goes on a talk show and tells the story of their affair at the same time that Nick confesses to his infidelity during a separate interview. [1]
- Margo ("Go") Dunne: Nick's twin sister, with whom he owns a bar and has a close relationship. She remains loyal to Nick throughout the murder investigation, despite her suspicions. [1]
- Desi Collings: Amy's boyfriend in high school, who is described as wealthy and obsessed with Amy. In their youth, she manipulated her parents into thinking that he was stalking her and overdosed in her bedroom. While she is on the run, Amy is robbed of all her money. She reaches out to Desi for financial help and manipulates him into falling in love with her by using his pompous savior nature against him. However, he doesn’t give her money-rather, he brings her to a summer home where he essentially keeps her prisoner by not giving her any money, keys, or the gate security code. Amy quickly grows resentful of his controlling disguised as caring behavior. Her last night at Desi’s house, she seduces him, puts sleeping pills in his cocktail and kills him. She later revealed that she had been abusing herself with a wine bottle and tying twine around her wrists to leave marks in order to make it look like Desi kidnapped and raped her. Desi’s mother remained convinced of his innocence, but nobody is able to find evidence of Amy’s guilt. [1]
Composition and publication
Gillian
Flynn is a former writer for Entertainment Weekly who wrote two popular
novels prior to Gone Girl — Sharp
Objects and Dark Places.[2] Gone Girl is her best selling book to date. Her
other two books were about people incapable of making commitments, but in this
novel, she tried to depict the ultimate commitment, marriage: "I liked the
idea of marriage told as a he-said, she-said story, and told by two narrators
who were perhaps not to be trusted." Flynn has also described marriage as
"the ultimate mystery."[3]
Flynn
admits to putting some of herself in the character of Nick Dunne. Like Dunne,
she was a popular culture writer. Also, like Dunne, she was laid off after many
years at the same job.[4] Flynn said, "I certainly wove that experience, that
sense of having something that you were going to do for the rest of your life
and seeing that possibility taken away... I definitely wove that sense of
unrest and nervousness into Nick's character."[5]
Asked
how she can write so believably about a man's inner life, Flynn says, "I'm
kind of part guy myself." When she needs to understand something about how
men think, she asks her husband or a male friend.[4] Flynn's autobiographical essay "I Was Not a Nice
Little Girl..." invites readers to believe she took inspiration for Amy
Dunne from her own interior monologue. In that essay, Flynn confesses to
sadistic childhood impulses like "stunning ants and feeding them to
spiders." A favourite indoor game called "Mean Aunt Rosie"
allowed Flynn to cast herself as a "witchy caregiver" who exercised
malevolent influence over her cousins. The same essay argues that women fail to
acknowledge their own violent impulses and incorporate them into their personal
narratives, though men tend to cherish stories of their childhood meanness.[6][7]
Flynn
identified Zoë Heller's
Notes on a Scandal and Edward
Albee's Who's Afraid of
Virginia Woolf? as influences on her writing and,
in particular, on the plot and themes of Gone Girl. Flynn said she
admired the "ominous" ending of Notes on a Scandal and the
pathology of a bad marriage from Who's Afraid of Virginia Woolf?. For
the conclusion of Gone Girl, Flynn drew from Rosemary's Baby: "I love that it just ends with, you know, 'Hey, the
devil's in the world, and guess what? Mom kind of likes him!'", she said.[8]
Flynn
also says she is influenced by the mystery writers Laura
Lippman, Karin
Slaughter, George
Pelecanos, Dennis
Lehane, and Harlan
Coben. However, she tries not to read any
one genre exclusively, and she also admires Joyce
Carol Oates, Margaret
Atwood, T.C.
Boyle, and Arthur
Phillips, who are better known as realistic
contemporary writers.[8]
Gone
Girl is also the title of a Lew
Archer story, in the 1955 collection The
Name is Archer, by Ross
Macdonald, who Flynn has also cited as a
favorite author.[9]
Genre
Gone
Girl is an example of mystery, suspense,
and crime genres. A Reader's
Digest review, for instance, notes that
the book is "more than just a crime novel". The review goes on to
describe Gone Girl as a "masterful psychological thriller"
which offers "an astute and thought-provoking look into two complex
personalities".[10] A Chicago
Tribune review notes that Gone Girl
uses many of the devices common to thrillers—a cast of viable suspects,
unfolding secrets, and red
herrings. However, the novel does more with
these devices than the thriller genre requires: "While serving their usual
functions, they also do much more, launching us into an unnerving dissection of
the fallout of failed dreams."[11]
In
her New York Times review, Janet
Maslin also writes that the elements of Gone
Girl that "sound like standard-issue crime story machinations"
are not, because both narrators are also consummate liars and cannot be trusted
to convey the truth about their own stories.[12] Salon.com
writes that Gone Girl has literary features that enhance the crime genre
features, adding that Flynn is "kicking the genre into high gear."[13] Flynn herself says that, in writing Gone Girl, she
employed the mystery genre as a "thru-lane" to explore what she was
really interested in: relationships.[4]
Themes
Gone
Girl's themes include dishonesty, the devious
media, the unhappiness that comes with a troubled economy, and the superficial
nature of appearance. The characters lie to each other and the reader about
affairs and disappearances. Amy fabricates a fake diary to implicate her
husband for her disappearance and murder. Flynn says that, in writing the book,
she wanted to examine how people within a marriage lie to each other:
"marriage is sort of like a long con, because you put on display your very
best self during courtship, yet at the same time the person you marry is
supposed to love you warts and all. But your spouse never sees those warts
really until you get deeper into the marriage and let yourself unwind a
bit."
An
underlying theme is the brief undertone of feminism, most notably represented in
Amy's 'Cool Girl' speech. For some, it is in this monologue that the otherwise
despised Amazing Amy emerges as an unlikely heroine of sorts; flying the flag
for women who refuse to succumb to the pressure to morph into the male's ideal.[14] Flynn is a self-identified feminist and has stated that
Amy's "just pragmatically evil" character and non-conformity to the
traditional perception of women
as innately good characters are the embodiment of
feminism, which she defined as "the ability to have women who are bad
characters."[15]
Several
reviews have also noted how well Gone Girl shows the tricky nature of
media representation. Nick seems guilty due to media coverage before a trial
occurs. Salon.com notes that "Flynn, a former staff writer for Entertainment
Weekly, is especially good on the infiltration of the media into every
aspect of the missing-person investigation, from Nick's cop-show-based
awareness that the husband is always the primary suspect to a raving tabloid-TV
Fury, who is out to avenge all wronged women and obviously
patterned on Nancy Grace."[13] Entertainment writer Jeff Giles notes that the novel also
plays on reader expectations that the husband will be the murderer,
expectations that have also been shaped by the media, writing, "The first
half of Gone Girl is a nimble, caustic riff on our Nancy Grace culture
and the way in which 'The butler did it' has morphed into 'The husband did
it.'"[16] A New York Daily News review also notes the novel's
interest in how quickly a husband can be convicted in the media: "In a
media society informed by Nancy Grace, when a wife goes missing, the husband
murdered her. There’s no need for a body to arrive at a verdict."[17] A San Francisco Chronicle review also notes the
book's recurring commentary on media influence: "Flynn pokes smart fun at
cable news, our collective obsession with social media and reality TV."[18]
Flynn
has also said that she wanted this novel to capture the sense of bankruptcy that both individuals and communities feel when the economy
spirals. Not only have both her main characters lost their jobs, they have also
moved to a town that is blighted by unsold houses and failed businesses.
"I wanted the whole thing to feel bankrupt ... I wanted it to really feel
like a marriage that had been hollowed out in a city that had been hollowed out
and a country that was increasingly hollowed out," said Flynn.[5]
Amy's
"Cool Girl" speech and the vital task of Nick's performing for his
media spectators, highlight the importance of establishing and maintaining
appearances, however false. Flynn said this: "The whole point is that
these are two people pretending to be other people, better people, versions of
the dream guy and dream girl, but each one couldn’t keep it up, so they destroy
each other".[19] Amy creates her plan to frame her husband when Nick fails
to maintain the false image Amy married, which she feels she is owed for
keeping her side of the bargain by pretending to be his "cool girl"
fantasy. She only returns to him after he gives a convincing public performance
in the role of perfect husband. However, it is not his sincerity she is
attracted to, she knows he is putting on an act, but the appearance of it. Amy
views Nick as her ideal husband in the end because she knows he must appear to
be her ideal husband, permanently, due to her blackmail and the risk of public
condemnation. In exchange, she will appear as an ideal wife and mother, a trade
Nick accepts. Both prefer the appearance the other projects over the reality of
the person they married.
Reception
Gone
Girl was #1 on the New York Times
Hardcover Fiction Bestseller list for eight weeks.[20] It was also twenty-six weeks on National Public Radio's hardcover fiction bestseller list.[21] Culture writer Dave Itzkoff wrote that the novel was,
excepting books in the Fifty Shades trilogy, the biggest literary phenomenon of 2012. By the end of its
first year in publication, Gone Girl had sold over two million copies in
print and digital editions, according to the book's publisher.[20]
Gone
Girl has been widely praised in numerous
publications including the New Yorker, The New York Times, Time, Publishers
Weekly, Entertainment Weekly, Chatelaine, People, and USA Today.
Reviewers express admiration for the novel's suspense, a plot twist involving
an unreliable narrator, its psychological dimension, and its examination of a
marriage that has become corrosive. Entertainment Weekly describes it as "an ingenious and viperish
thriller."[16] The New Yorker describes it as a "mostly
well-crafted novel," praising its depiction of an "unraveling"
marriage and a "recession-hit Midwest," while finding its conclusion
somewhat "outlandish."[22]
The
New York Times likens Gillian Flynn to acclaimed
suspense novelist Patricia Highsmith.
Gone Girl, the Times goes on to say, is Flynn's "dazzling
breakthrough," adding that the novel is "wily, mercurial, subtly
layered and populated by characters so well imagined that they’re hard to part
with."[12] A USA Today review focuses on bookseller enthusiasm
for the book, quoting a Jackson, Mississippi store manager saying, "It will make your head spin
off."[23] People Magazine's review found the novel "a
delectable summer read" that burrows "deep into the murkiest corners
of the human psyche."[24] A Chatelaine review commends the novel's suspense,
its intricately detailed plot and the way it keeps the reader "unnervingly
off balance."[25]
Many
reviewers have noted the difficulty of writing about Gone Girl, because
so little in the first half of the novel is what it seems to be. In his Time
review, Lev Grossman describes the novel as a "house of mirrors." He
also writes "Its content may be postmodern, but it takes the form of a
thoroughbred thriller about the nature of identity and the terrible secrets
that can survive and thrive in even the most intimate relationships."[26]
In
an article in Salon.com,
Laura Miller laments that Gone Girl was conspicuously absent from the
winning ranks of prestigious literary awards, like the National Book Awards, and the Pulitzer
Prize. The same article argues that Gone
Girl was snubbed because it belongs to the mystery genre. Judges awarding
top literary prizes "have all refrained from honoring any title published
within the major genres."[27] Gone Girl was chosen for the inaugural Salon What To Read Awards (2012).[28] The novel has also been short-listed for the Women's Prize for Fiction. Natasha Walter, one of the Women's Prize judges in 2013,
told the Independent that there was considerable debate amongst the
judges about the inclusion of Gone Girl in the finalists' circle. Walter
indicated that crime fiction is often "overlooked" by those in a
position to make literary commendations.[29]
Adaptations
Audiobook
Gone
Girl was recorded as a Random House
audiobook, featuring the voices of Julia
Whelan as Amy Dunne and Kirby
Heyborne as Nick Dunne. It is an unabridged
edition on fifteen compact discs and takes 19.25 hours to listen to in its
entirety.[30]
Film adaptation
Main article: Gone Girl (film)
American
actress Reese Witherspoon's
film production company and 20th
Century Fox bought the screen rights to Gone
Girl, for which they paid US$1.5 million. The novel's author Gillian Flynn
was engaged to write the screenplay. Witherspoon produced the film version
along with Leslie Dixon,
Bruna Papandrea,
and Ceán Chaffin.
Witherspoon was drawn to the script because of its strong female character and
its use of multiple perspectives and non-linear structure.[31] In May 2013, it was announced that David
Fincher was brought on as director,[32] with Ben
Affleck cast as Nick and Rosamund
Pike in the role of Amy. New Regency
and Fox agreed to co-finance the film.[33][34] The film was released October 3, 2014.
References
· · Nordyke, Kimberly
(30 November 2012). "Hollywood's
Most Powerful Authors: Gillian Flynn on Adapting Gone Girl, Being Too 'Wimpy'
for Crime Reporting and Her Best Advice to Writers (Q&A)". Hollywood Reporter. Retrieved 5 April 2013.
· · Haupt, Jennifer
(19 November 2012). "Best-selling
Author Gillian Flynn: Gone Girl".
Psychology Today. Retrieved 24 December 2012.
· · Memmott, Carol (9
October 2012). "Gillian
Flynn talks 'Gone Girl,' success and movie deals". USA Today. Retrieved 24 December 2012.
· · Rousseau, Caryn
(22 June 2012). "Flynn's
'Gone Girl' poised to be summer thriller". Huffington Post. Retrieved 26 December 2012.
· · Flynn, Gillian. "I
Was Not a Nice Little Girl".
Powells.com. Archived from the original on 17 February 2015. Retrieved 24 December 2012.
· · Flynn, Gillian
(July 6, 2012). "Author
Essay: July 6, 2012".
Bookreporter.com. Retrieved December 17, 2014.
· · Lee, Stephan (4
December 2012). "Best
of 2012 (Behind the Scenes): Gillian Flynn on 'Gone Girl' twists – 'It's fine
with me if people don't like the ending'". Entertainment Weekly. Retrieved 24 December 2012.
· · Reilly, Amy (2
October 2012). "Still
Worth the Hype: Gillian Flynn's 'Gone Girl'". Reader's Digest. Retrieved 26 December 2012.
·
Gutman, Amy (28 July 2012). "A marriage gone missing". Chicago Tribune. Retrieved 26
December 2012.
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