Alice's Adventures in Wonderland
Alice's
Adventures in Wonderland
(commonly shortened to Alice in Wonderland) is an 1865 novel written by English author Charles Lutwidge Dodgson under
the pseudonym Lewis Carroll.[1] It tells of a young girl named Alice falling through a rabbit hole into a subterranean fantasy
world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as
with children.[2] It is considered to be one of the best examples of the literary
nonsense genre.[2][3]
One
of the best-known and most popular works of English-language fiction, its
narrative course, structure, characters, and imagery have been enormously
influential in both popular culture and literature, especially in the fantasy genre.[3] The work has never been out of print, and it has been translated into at least 97 languages.[4] Its ongoing legacy encompasses many adaptations for stage, screen, radio, art, theme parks, board games,
and video games.[5] Carroll published a sequel in 1871, entitled Through the Looking-Glass.
Background
"All in the golden afternoon..."
Alice's
Adventures in Wonderland was
published in 1865, three years after Charles
Lutwidge Dodgson and the Reverend Robinson Duckworth,
on 4 July,[6] rowed up the Isis
river in a boat with three young girls—a
day known as the "golden afternoon,"[7] prefaced in the novel as a poem. The poem might be a
confusion or even another Alice-tale, for it turns out that particular day was
cool, cloudy and rainy.[8] The three girls would be the daughters of scholar Henry
Liddell: Lorina Charlotte Liddell (aged 13;
"Prima" in the book's prefatory verse); Alice
Pleasance Liddell (aged 10; "Secunda" in
the verse); and Edith Mary Liddell (aged 8; "Tertia" in the verse).[9]
The
journey began at Folly Bridge,
Oxford and ended five miles away in the Oxfordshire village of Godstow. During the trip Dodgson told the girls a story that
featured a bored little girl named Alice who goes looking for an adventure. The
girls loved it, and Alice Liddell asked Dodgson to write it down for her.[10]
Manuscript: Alice's Adventures Under Ground
He
would begin writing the manuscript of the story the next day, although that
earliest version is lost to history. The girls and Dodgson took another boat
trip a month later when he elaborated the plot to the story of Alice, and in
November he began working on the manuscript in earnest.[11]
To
add the finishing touches he would research natural history for the animals
presented in the book, and then had the book examined by other
children—particularly those of George
MacDonald. Though Dodgson did add his own
illustrations, he would approach John
Tenniel to illustrate the book for
publication, telling him that the story had been well liked by children.[11]
On
26 November 1864, Dodgson gave Alice the handwritten manuscript of Alice's
Adventures Under Ground, with illustrations by Dodgson himself,
dedicating it as "A Christmas Gift to a Dear Child in Memory of a Summer's
Day".[12] Some, including Martin
Gardner, speculate that there was an
earlier version that was destroyed later by Dodgson when he wrote a more
elaborate copy by hand.[13]
Before
Alice received her copy, Dodgson was already preparing it for publication and
expanding the 15,500-word original to 27,500 words,[14]
most notably adding the episodes about the Cheshire
Cat and the Mad Tea Party.
Synopsis
Chapter
One – Down the Rabbit Hole: Alice, a seven-year-old girl, is feeling bored and drowsy while
sitting on the riverbank with her elder sister. She notices a talking, clothed white
rabbit with a pocket
watch run past. She follows it down a
rabbit hole where she suddenly falls a long way to a curious hall with many
locked doors of all sizes. She finds a little key to a door too small for her
to fit through, but through it, she sees an attractive garden. She then
discovers a bottle on a table labelled "DRINK ME," the contents of
which cause her to shrink too small to reach the key which she had left on the
table. She subsequently eats a cake labelled "EAT ME" in currants as
the chapter closes.
Chapter
Two – The Pool of Tears: The
chapter opens with Alice growing to such a tremendous size that her head hits
the ceiling. Unhappy, Alice begins to cry and her tears literally flood the
hallway. Shrinking down again due to a fan she had picked up, Alice swims
through her own tears and meets a mouse, who is swimming as well. Alice, thinking he may be a
French mouse, tries to make small talk with him in elementary French. Her
opening gambit "Où est ma chatte?" (transl. "Where is my
cat?"), however, offends the mouse, who then tries to escape her.
Chapter
Three – The Caucus Race and a Long Tale:
The sea of tears becomes crowded with other animals and birds that have been
swept away by the rising waters. Alice and the other animals convene on the
bank and the question among them is how to get dry again. Mouse gives them a
very dry lecture on William the Conqueror. A dodo decides that the best thing to dry them off would be a
Caucus-Race, which consists of everyone running in a circle with no clear
winner. Alice eventually frightens all the animals away, unwittingly, by
talking about her (moderately ferocious) cat.
Chapter
Four – The Rabbit Sends a Little Bill:
White Rabbit appears again in search of the Duchess's gloves and fan. Mistaking her for his maidservant, Mary Ann, Rabbit orders Alice to go into the house and
retrieve them. Inside the house she finds another little bottle and drinks from
it, immediately beginning to grow again. The horrified Rabbit orders his
gardener, Bill the Lizard,
to climb on the roof and go down the chimney. Outside, Alice hears the voices
of animals that have gathered to gawk at her giant arm. The crowd hurls pebbles
at her, which turn into little cakes. Alice eats them, and they reduce her
again in size.
Chapter
Five – Advice from a Caterpillar:
Alice comes upon a mushroom and sitting on it is a blue caterpillar smoking a hookah. Caterpillar questions Alice, who begins to admit to her
current identity crisis, compounded by her inability to remember a poem. Before crawling away, the caterpillar tells Alice that one
side of the mushroom will make her taller and the other side will make her
shorter. She breaks off two pieces from the mushroom. One side makes her shrink
smaller than ever, while another causes her neck to grow high into the trees,
where a pigeon mistakes her for a serpent. With some effort, Alice brings
herself back to her normal height. She stumbles upon a small estate and uses
the mushroom to reach a more appropriate height.
Chapter
Six – Pig and Pepper: A fish-footman has an invitation for the Duchess of the house, which he delivers to a frog-footman. Alice
observes this transaction and, after a perplexing conversation with the frog,
lets herself into the house. The Duchess's cook is throwing dishes and making a
soup that has too much pepper, which causes Alice, the Duchess, and her baby
(but not the cook or grinning Cheshire
Cat) to sneeze violently. Alice is
given the baby by the Duchess and, to Alice's surprise, the baby turns into a
pig. The Cheshire Cat appears in a tree, directing her to the March
Hare's house. He disappears but his grin
remains behind to float on its own in the air prompting Alice to remark that
she has often seen a cat without a grin but never a grin without a cat.
Chapter
Seven – A Mad Tea-Party: Alice
becomes a guest at a "mad" tea party along with the March
Hare, the Hatter, and a very tired Dormouse, who falls asleep frequently only to be violently awakened
moments later by the March Hare and the Hatter. The characters give Alice many
riddles and stories, including the famous "why is a raven like
a writing desk?." The Hatter reveals that they
have tea all day because Time has punished him by eternally standing still at 6 PM
(tea time). Alice becomes insulted and tired of being bombarded with riddles
and she leaves claiming that it was the stupidest tea party that she had ever
been to.
Chapter
Eight – The Queen's Croquet Ground:
Alice leaves the tea party and enters the garden where she comes upon three
living playing cards painting the white roses on a rose tree red because The
Queen of Hearts hates white roses. A procession of
more cards, kings and queens and even the White Rabbit enters the garden. Alice
then meets the King and Queen. The Queen, a figure difficult to please,
introduces her signature phrase "Off with his head!" which she utters
at the slightest dissatisfaction with a subject. Alice is invited (or some
might say ordered) to play a game of croquet with the Queen and the rest of her
subjects but the game quickly descends into chaos. Live flamingos are used as
mallets and hedgehogs as balls and Alice once again meets the Cheshire Cat. The
Queen of Hearts then orders the Cat to be beheaded, only to have her
executioner complain that this is impossible since the head is all that can be
seen of him. Because the cat belongs to the Duchess, the Queen is prompted to
release the Duchess from prison to resolve the matter.
Chapter
Nine – The Mock Turtle's Story:
The Duchess is brought to the croquet ground at Alice's request. She ruminates
on finding morals in everything around her. The Queen of Hearts dismisses her
on the threat of execution and she introduces Alice to the Gryphon, who takes her to the Mock
Turtle. The Mock Turtle is very sad, even
though he has no sorrow. He tries to tell his story about how he used to be a
real turtle in school, which the Gryphon interrupts so they can play a game.
Chapter
Ten – Lobster Quadrille: The Mock
Turtle and the Gryphon dance to the Lobster Quadrille, while Alice recites
(rather incorrectly) "'Tis the Voice of the Lobster". The
Mock Turtle sings them "Beautiful Soup" during which the Gryphon
drags Alice away for an impending trial.
Chapter
Eleven – Who Stole the Tarts?:
Alice attends a trial whereby the Knave
of Hearts is accused of stealing the Queen's
tarts. The jury is composed of various animals, including Bill
the Lizard, the White Rabbit is the court's
trumpeter, and the judge is the King
of Hearts. During the proceedings, Alice
finds that she is steadily growing larger. The dormouse scolds Alice and tells
her she has no right to grow at such a rapid pace and take up all the air.
Alice scoffs and calls the dormouse's accusation ridiculous because everyone
grows and she cannot help it. Meanwhile, witnesses at the trial include the
Hatter, who displeases and frustrates the King through his indirect answers to
the questioning, and the Duchess's cook.
Chapter
Twelve – Alice's Evidence: Alice is
then called up as a witness. She accidentally knocks over the jury box with the
animals inside them and the King orders the animals be placed back into their
seats before the trial continues. The King and Queen order Alice to be gone,
citing Rule 42 ("All persons more than a mile high to leave the
court"), but Alice disputes their judgement and refuses to leave. She
argues with the King and Queen of Hearts over the ridiculous proceedings,
eventually refusing to hold her tongue, only to say, "It's not that I was
the one who stole the tarts in the first place", in the process. Finally,
the Queen confirms that Alice was the culprit responsible of stealing the tarts
after all (which automatically pardons the Knave of Hearts of his charges), and
shouts, "Off with her head!", but Alice is unafraid, calling them
just a pack of cards; although Alice holds her own for a time, the card guards
soon gang up and start to swarm all over her. Alice's sister wakes her up from
a dream, brushing what turns out to be some leaves and not a shower of playing
cards from Alice's face. Alice leaves her sister on the bank to imagine all the
curious happenings for herself.
Characters
Further information: List of minor
characters in the Alice series
The
main characters in Alice's Adventures in Wonderland are the following:
- Alice
- The White Rabbit
- The Mouse
- The Dodo
- The Lory
- The Eaglet
- The Duck
- Pat
- Bill the Lizard
- Puppy
- The Caterpillar
- The Duchess
- The Cheshire Cat
- The Mad Hatter
- The March Hare
- The Dormouse
- The Queen of Hearts
- The King of Hearts
- The Knave of Hearts
- The Gryphon
- The Mock Turtle
Character allusions
In
The Annotated Alice, Martin
Gardner provides background information for
the characters. The members of the boating party that first heard Carroll's tale show up in Chapter 3 ("A Caucus-Race and a Long
Tale"). Alice Liddell
herself is there, while Carroll is caricatured as the Dodo (because Dodgson stuttered
when he spoke, he sometimes pronounced his last name as Dodo-Dodgson).
The Duck refers to Canon Duckworth,
and the Lory and Eaglet to Alice Liddell's sisters Lorina and Edith.[13]:27
Bill
the Lizard may be a play on the name of British Prime Minister Benjamin
Disraeli.[15] One of Tenniel's illustrations in Through the Looking-Glass—the 1871 sequel to Alice—depicts the character
referred to as the "Man in White Paper" (whom Alice meets as a fellow
passenger riding on the train with her) as a caricature of Disraeli, wearing a
paper hat.[13]:172 The
illustrations of the Lion and the Unicorn (also in Looking-Glass) bear a
striking resemblance to Tenniel's Punch
illustrations of Gladstone
and Disraeli as well.[13]:226
Gardner
has suggested that the Hatter is a reference to Theophilus
Carter, a furniture dealer known in Oxford, and that Tenniel apparently drew the Hatter to resemble
Carter, on a suggestion of Carroll's.[13]:69 The
Dormouse tells a story about three little sisters named Elsie, Lacie, and
Tillie. These are the Liddell sisters: Elsie is L.C. (Lorina Charlotte); Tillie
is Edith (her family nickname is Matilda); and Lacie is an anagram of Alice.[13]:75
The
Mock Turtle speaks of a drawling-master, "an old conger eel," who came once a week to teach "Drawling,
Stretching, and Fainting in Coils." This is a reference to the art critic John
Ruskin, who came once a week to the
Liddell house to teach the children drawing, sketching, and painting
in oils. (The children did, in fact, learn well; Alice Liddell, for one,
produced a number of skilful watercolours.)[13]:98
The
Mock Turtle also sings "Turtle Soup." This is a parody of a song
called "Star of the Evening, Beautiful Star", which was performed as
a trio by Lorina, Alice and Edith Liddell for Lewis Carroll in the Liddell home
during the same summer in which he first told the story of Alice's
Adventures Under Ground.[16]
Poems and songs
Carroll
wrote multiple poems and songs for Alice's Adventures in Wonderland,
including:
- "All in the golden afternoon..."—the prefatory verse to the book, an original poem by Carroll that recalls the rowing expedition on which he first told the story of Alice's adventures underground
- "How Doth the Little Crocodile"—a parody of Isaac Watts' nursery rhyme, "Against Idleness and Mischief"
- "The Mouse's Tale"—an example of concrete poetry
- "You Are Old, Father William"—a parody of Robert Southey's "The Old Man's Comforts and How He Gained Them"
- The Duchess's lullaby, "Speak roughly to your little boy..."—a parody of David Bates' "Speak Gently"
- "Twinkle, Twinkle, Little Bat"—a parody of Jane Taylor's "Twinkle Twinkle Little Star"
- "The Lobster Quadrille"—a parody of Mary Botham Howitt's "The Spider and the Fly"
- "'Tis the Voice of the Lobster"—a parody of Isaac Watts' "The Sluggard"
- "Beautiful Soup"—a parody of James M. Sayles's "Star of the Evening, Beautiful Star"
- "The Queen of Hearts"—an actual nursery rhyme
- "They told me you had been to her..."—White Rabbit's evidence
Writing style and themes
Symbolism
Martin
Gardner, along with other scholars, have
shown the book to be filled with many parodies of Victorian popular culture, suggesting it belongs in spirit with W.
S. Gilbert and Alfred
Cellier's Topsyturveydom.[17]
Most
of the book's adventures may have been based on/influenced by people,
situations, and buildings in Oxford and at Christ Church.
For example, the "Rabbit Hole" symbolised the actual stairs in the
back of the Christ Church's main hall. A carving of a griffon and rabbit, as
seen in Ripon Cathedral,
where Carroll's father was a canon, may have provided inspiration for the tale.[18]
In
the eighth chapter, three cards are painting the roses on a rose tree red,
because they had accidentally planted a white-rose tree that The
Queen of Hearts hates. Red roses symbolised the English
House of Lancaster,
while white roses symbolised their rival House
of York, thus the wars between them were
the Wars of the Roses.[19]
While
the book has remained in print and continually inspires new adaptations, the
cultural material from which it draws has become largely specialized knowledge.
Dr
Leon Coward asserts the book 'suffers' from
"readings which reflect today's fascination with postmodernism and
psychology, rather than delving into an historically informed
interpretation," and speculates that this has been partly driven by
audiences encountering the narrative through a 'second-hand' source, explaining
"our impressions of the original text are based on a multiplicity of
reinterpretations. We don't necessarily realise we're missing anything in
understanding the original product, because we're usually never dealing with
the original product."[17]
Language
It
has been suggested by several people, including Martin
Gardner and Selwyn Goodacre,[20] that Dodgson had an interest in the French language,
choosing to make references and puns about it in the story. It is most likely
that these are references to French lessons—a common feature of a Victorian
middle-class girl's upbringing. For example, in the second chapter Alice posits
that the mouse may be French. She therefore chooses to speak the first sentence
of her French lesson-book to it: "Où est ma chatte?"
("Where is my cat?"). In Henri Bué's French translation, Alice posits
that the mouse may be Italian and speaks Italian to it.
Pat's
"Digging for apples" could be a cross-language pun,
as pomme de terre (literally; "apple of the earth") means
potato and pomme means apple.[21]
In
the second chapter, Alice initially addresses the mouse as "O Mouse",
based on her memory of the noun declensions "in her brother's Latin Grammar,
'A mouse – of a mouse – to a mouse – a mouse – O mouse!'" These words
correspond to the first five of Latin's six cases, in a traditional order
established by medieval grammarians: mus (nominative), muris (genitive), muri (dative), murem (accusative), (O) mus (vocative). The sixth case, mure (ablative) is absent from Alice's recitation.
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