Berenstain Bears
The
Berenstain Bears is a children's literature franchise created by Stan and Jan Berenstain and continued by their son, Mike
Berenstain, who assumed partial authorship in
2002, and full authorship in 2012 following Jan's death. The books feature a
family of anthropomorphic grizzly
bears who generally learn a moral or safety-related
lesson in the course of each story.
Since
the 1962 debut of the first Berenstain Bears book, The Big Honey Hunt, the series has grown to over 300 titles, which have sold
approximately 260 million copies in 23 languages.[1] The Berenstain Bears franchise has also expanded well beyond the books, encompassing two
television series and a wide variety of other products and licenses. While
enjoying decades of popularity and receiving numerous awards, the series has
been criticized for its perceived saccharine tone and formulaic storytelling.[2]
History
Stanley
Berenstain and Janice Grant met in 1941, on their first day of drawing class at
the Philadelphia Museum
School of Industrial Art, where
they formed an immediate bond.[3][4][5] After being separated during World
War II, during which Stan worked for the
Army as a medical illustrator and Janice worked as a riveter, they were reunited and married in 1946.[3] While initially working as art teachers, the Berenstains
pursued a joint career in cartooning and gradually found success working
together on illustrations,
humorous sketches and cover art
for publications including The Saturday Review
of Literature, Collier's, McCall's,
Good Housekeeping, and The Saturday Evening Post.[3][4][6] In 1951, they published Berenstains' Baby Book, a
humorous how-to aimed at adults and based on their experiences raising their
infant son Leo in downtown Philadelphia.[5] Nearly two dozen other books followed; described by Stan as
"cartoon essays," the titles included Marital Blitz, How To
Teach Your Children About Sex Without Making A Complete Fool of Yourself
and Have A Baby, My Wife Just Had A Cigar![5]
In
the early 1960s, the Berenstains sought to enter the field of writing for young
children.[3] For their first children's book, they chose to cast bears as
the main characters, primarily because the animal held wide appeal and could be
drawn easily.[3][5] Stan also observed that female bears are "terrifyingly
good mothers" while the males are "lousy fathers."[5] (The Berenstains denied that their last name had anything
to do with the decision.)[5][7] In their 2002 memoir, they said that they knew from the
start that their book would "have three characters: a bluff,
overenthusiastic Papa Bear who wore bib overalls and a plaid shirt and...a wise
Mama Bear who wore a blue dress with white polka
dots...and a bright, lively little
cub."[6]
The
Berenstains' first bear story, titled Freddy Bear's Spanking, arrived on
the desk of Theodor Geisel, better known as Dr.
Seuss, who had found phenomenal success
in 1957 with The Cat in the Hat and was now editor of a Random
House series called "Beginner
Books".[7] Geisel took on the manuscript, but spent the next two years ruthlessly challenging the
Berenstains to make improvements to the writing and structure and to connect
with their characters on a deeper level.[1][7][8] He asked questions such as "What kind of pipe
tobacco does Papa Bear smoke?" and urged
them to analyze the relationship between Papa Bear and Small Bear, to which
Stan responded, mystified, "Well, he's the father, and he's the son";
however, Jan attributed the inspiration for the characters' dynamic to the 1931
film The Champ.[3][5]
The
book was finally published in 1962 under the title The Big Honey Hunt, with no plans to revisit the bears in a sequel.[5][7] Geisel had told the Berenstains to feature a different
animal in their next story, as "there are already too many bears... Sendak's got some kind of bear.
There's Yogi Bear,
the Three Bears,
Smokey
Bear, the Chicago
Bears... for your next book you should do
something as different from bears as possible."[6] They had started work on a new project featuring a penguin when Geisel called and told them: "We're selling the
hell out of the bear book."[5][6] The second bear book, The Bike Lesson, appeared in
1964, featuring the names Stan and Jan Berenstain instead of Stanley and
Janice; Geisel had changed the credit without consulting them. Geisel was also
responsible for adding the name "Berenstain Bears" to the covers of
succeeding books.[5][6][9][10]
Over
the next several decades, Stan and Jan collaborated on hundreds of books from
their home studio outside Philadelphia.[1][6] After developing a storyline together, one of them (usually
Stan) would develop a first draft, which the other would then refine into an
1100-word manuscript. They also worked together on the illustrations.[5] In 2002, the couple released a memoir of their career
titled Down A Sunny Dirt Road.[6]
Their
sons Leo and Mike also entered the family business after making their own
forays into children's publishing as an author and illustrator, respectively.[7] In the 1990s, the men worked on the Berenstain Bears
"Big Chapter Book" series (published under the names Stan and Jan
Berenstain).[7] Following Stan's death from lymphoma in 2005, Mike collaborated with his mother on writing and
illustrating Berenstain Bears installments, while Leo has been involved with
the business side of the franchise.[1] Jan Berenstain died in February 2012 following a stroke.[11][12] Mike Berenstain continues to write and illustrate new books
in the series.[13]
Characters and themes
Main article: List of Berenstain
Bears characters
The
Berenstain Bears, who reside "in a big treehouse down a sunny dirt road deep in Bear Country," consists
of Papa Bear, an oafish, bumbling carpenter; wise Mama Bear, a housewife and perfectionist; and their children, Brother Bear (originally Small Bear),
and later additions Sister Bear and Honey Bear.[3][7][14] Sister Bear was introduced in the 1974 book The
Berenstain Bears' New Baby in response to requests from female readers.[8] Honey Bear's imminent arrival was announced in early 2000
in The Birds, the Bees, and the Berenstain Bears, along with a reader
contest to name the new bear; her birth was featured later that year in The
Berenstain Bears and Baby Makes Five.[14][15]
Stories
about the bears generally follow a basic formula, so described by the
Berenstains: "Papa sets out to instruct Small Bear in some aspect of the
art of living and ends up badly the worse for wear, with Small Bear expressing
his appreciation for the fine lesson Papa has taught him."[6] In the words of The Washington Post's Paul Farhi,
"The action usually starts when the kids face a problem. They turn to
Papa, who offers a "solution" that only makes the problem—or the
kids' fears about it—even worse. Enter Mama, who eventually sets everyone
straight."[16]
The
litany of issues confronted by the Berenstain Bears over their fifty years of
publication include bullying,
messiness, poor sportsmanship,
visiting the dentist,
online safety, and childhood
obesity, among countless others.[1][5][17] The Berenstains often drew inspiration from their own family
experiences, which Stan credited for the series' continued relevance:
"Kids still tell fibs and they mess up their rooms and they still throw
tantrums in the supermarket...Nobody gets shot. No violence. There are
problems, but they're the kind of typical family problems everyone goes
through."[4][8] The couple also claimed, in response to criticism of the
characterization of Papa and Mama Bear, that those characters were heavily
inspired by Stan and Jan Berenstain themselves.[5][7]
Books
Main article: List of Berenstain
Bears books
Reception
The
Berenstain Bears series had sold over 240 million copies by 2003. Of
their books, 35 are in the Publishers Weekly top 250 titles of all time, and 15
are in the top 100 children's paperbacks.[18] The series has received praise and awards for its
contributions to children's literature[19]
as well as condemnation for promoting outdated gender roles, simplistic and
unrealistic messages, and not keeping up with the times.[12]
Criticism
Critics
of the series have called it "syrupy", "unsatisfying",
"infuriatingly formulaic", "hokey", "abominable",
and "little more than stern lectures dressed up as children's
stories."[2][7][20][21]
In
a 1989 editorial titled "Drown the Berenstain Bears", Washington
Post columnist Charles Krauthammer
lamented the popularity of the books, writing that "it is not just the
smugness and complacency of the stories that is so irritating," but the
bears themselves, particularly "the post-feminist Papa Bear, the Alan
Alda of grizzlies, a wimp so passive and
fumbling he makes Dagwood
Bumstead look like Batman." He described Mama Bear as "the final flowering
of the grade-school prissy, the one with perfect posture and impeccable
handwriting...and now you have to visit her every night. The reason is, of
course, that kids love them. My boy, 4, cannot get enough of these bears."[22]
Upon
the death of Stan Berenstain in 2005, the Washington Post published an
"Appreciation" piece which many Post readers found surprisingly
unappreciative in its tone. Written by Paul Farhi, who had previously rebuked
the Berenstain Bears as the most popular example of a lamentable and misguided
"self-help" genre aimed at children,[2] the 2005 piece revived his earlier sentiments:
The
larger questions about the popularity of the Berenstain Bears are more
troubling: Is this what we really want from children's books in the first
place, a world filled with scares and neuroses and problems to be toughed out
and solved? And if it is, aren't the Berenstain Bears simply teaching to the
test, providing a lesson to be spit back, rather than one lived and understood
and embraced? Where is the warmth, the spirit of discovery and imagination in
Bear Country? Stan Berenstain taught a million lessons to children, but
subtlety and plain old joy weren't among them.[16]
Subsequent
letters from readers condemned Farhi for expressing such harshness toward the
recently deceased; one wrote, "In the name of fairness, please be sure to
allow the Berenstain family the opportunity to someday retort in Farhi's obituary."[23] Readers also defended the books' "warmth" and
their enduring popularity among young children.[23][24]
Slate's Hanna Rosin
revived Krauthammer's complaints, drawing criticism for writing of Jan Berenstain's
death, "As any right-thinking mother will agree, good riddance. Among my
set of mothers the series is known mostly as the one that makes us dread the
bedtime routine the most." (Rosin subsequently apologized and admitted she
"was not really thinking of [Berenstain] as a person with actual feelings
and a family, just an abstraction who happened to write these books.")[25][26]
Awards and praise
The
Berenstain Bears series has been awarded the Ludington Award from the
Educational Paperback Association for their contribution to children's
literature, the Drexel Citation from Drexel University, several Philadelphia
Literary Children's Roundtable Honors, and many other state reading association
awards.[18][19][27][28][29] Following Jan Berenstain's death in 2012, acclaimed
children's author Jerry Spinelli
said that "the Berenstains made a wonderful and lasting contribution to
children's literature." Author and professor Donna
Jo Napoli said, "Those bears have helped
so many children through so many kinds of challenges that kids face, in such a
cheerful and kind of energetic way."[11] The Washington Post's Alexandra
Petri wrote that the books were
"timeless, timely, and kind-hearted, like all the best literature,"
and acknowledged the Post's 1989 piece by saying, "This is one of
the times the kids have the right idea and Charles Krauthammer does not."[30]
Franchise
Since
the Berenstain Bears' creation, the characters have been widely licensed for a
broad array of products. The franchise exploded in size in the 1980s, when King
Features began aggressively promoting the
Bears to marketers amidst a surge in popularity following a series of animated television specials.
As of 1983, the Berenstain Bears had been licensed to approximately 40
companies for more than 150 types of products, with projected annual sales of
$50 million.[31]
Television
The
Berenstain Bears first appeared on television in five animated specials
on NBC, airing as follows:[7][9][31]
- The Berenstain Bears' Christmas Tree (December 3, 1979)[32][33]
- The Berenstain Bears Meet Bigpaw (November 20, 1980)[34]
- The Berenstain Bears' Easter Surprise (April 14, 1981)[35]
- The Berenstain Bears' Valentine Special (promotional title) (broadcast as The Berenstain Bears' Comic Valentine and released on home video as The Berenstain Bears and Cupid's Surprise) (February 13, 1982)[36][37]
- The Berenstain Bears' Littlest Leaguer (also called The Berenstain Bears Play Ball) (May 6, 1983)[38][39]
The
first special starred Ron McLarty,
Gabriela Glatzer, Jonathan
Lewis, and Pat Lysinger as Papa, Sister, Brother and Mama, respectively. Most
reprised their roles in the subsequent specials.
From
1985 through 1987, an animated series titled The Berenstain Bears
Show aired as part of CBS' Saturday-morning cartoon block.[40][41][42][43] The series was nominated in 1987 for a Daytime Emmy Award
for Outstanding Performer in Children's Programming; it was also nominated that
year for a Humanitas Prize
in the category of Non-Prime Time Children's Animated Show.[44][45]
A
second TV series, also called The Berenstain Bears, debuted on PBS in 2003. The series was produced by the Canadian company Nelvana and consisted of 40 30-minute episodes adapted from the books
and also a few new stories as well, similar to the 1985 production.[8][9] However, the series are considered separate adaptations and
were never aired together. Even though the 2003 series is not a remake but a
continuation of the episodes, some characters' personalities changed while
other characters no longer appeared. (However, new characters appeared.) The
original specials and TV series have a rustic design and interaction with other
forest animals, while the Nelvana series completely embraced rural life with
slower timing. Additionally, as a Canadian production, due to Canadian
laws requiring Nelvana to employ only
Canadian writers and artists, the Berenstains' involvement in the program was
limited; They sought to exert their influence on some details, according to
Stan. "Our bears don't wear shoes, and Papa wouldn't wear his hat in the
house...And we try to keep complete, total banality out of the stories."[8] Common practicalities of animation did force some minor
costume changes from the books, such as eliminating polka dots and plaids.
(This issue also occurred in previous animated series and specials. Only a
limited amount of polka dots was allowed in the five specials.)[9] The show's theme song is performed by Lee
Ann Womack.[9]
In
2011, 20 episodes of the Nelvana series were dubbed in the Native American Lakota
language and began airing on public
television in North
and South Dakota
under the title Matȟó Waúŋšila Thiwáhe ("The Compassionate
Bear Family"). The translated series was a collaboration of the Standing Rock Indian
Reservation and the nonprofit Lakota Language
Consortium, with Mike Berenstain and Nelvana waiving all licensing fees for the
venture. The Berenstain Bears is the first animated series to be
translated into a Native American language in the United States.[46][47]
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